"Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth" by Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano was released on 2001. With Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Puccini: Messa di Gloria". In this album, this song's track order is #15. Based on our statistics, Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth by Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, London Symphony Orchestra, Claudio Abbado | D Major | 4 | 10B | 103 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis | E♭ Major | 0 | 5B | 103 BPM | ||
War Requiem, Op. 66: ii. Requiem Aeternam - Te decet hymnus | Benjamin Britten, Gianandrea Noseda, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | C Major | 0 | 8B | 101 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Carmina Burana: XVI. Dies, nox et omnia | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 93 BPM | ||
Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer - Live | Gustav Mahler, Thomas Hampson, Wiener Philharmoniker, Leonard Bernstein | G Minor | 2 | 6A | 173 BPM | ||
Un mari à la porte: Valse Tyrolienne | Jacques Offenbach, Sumi Jo, English Chamber Orchestra, Richard Bonynge | C Minor | 0 | 5A | 131 BPM | ||
Gianni Schicchi: Aria: Oh, mio bambino caro (Lauretta) | Giacomo Puccini, Katalin Pitti, Hungarian State Opera Chorus, Budapest Philharmonic Orchestra, Ádám Medveczky | A♭ Major | 1 | 4B | 169 BPM |
Section: 0.7963767051696777
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