"Gianni Schicchi: Aria: Oh, mio bambino caro (Lauretta)" by Giacomo Puccini, Katalin Pitti, Hungarian State Opera Chorus, Budapest Philharmonic Orchestra, Ádám Medveczky was released on July 15, 2014. The duration of Gianni Schicchi: Aria: Oh, mio bambino caro (Lauretta) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Gianni Schicchi: Aria: Oh, mio bambino caro (Lauretta)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Pitti, Katalin: Famous Italian Opera Arias". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hungary. The popularity of Gianni Schicchi: Aria: Oh, mio bambino caro (Lauretta) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gianni Schicchi: Aria: Oh, mio bambino caro (Lauretta) by Giacomo Puccini, Katalin Pitti, Hungarian State Opera Chorus, Budapest Philharmonic Orchestra, Ádám Medveczky having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne | A♭ Major | 0 | 4B | 181 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Requiem | Giacomo Puccini, Coro Sinfonico di Milano Giuseppe Verdi, Gabriele Mugnai, Roberto de Thierry, Riccardo Chailly | D Minor | 0 | 7A | 71 BPM | ||
Laudate Dominum | Wolfgang Amadeus Mozart, Lucia Popp, Kurt Eichhorn | A Major | 1 | 11B | 132 BPM | ||
Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM | ||
Air des clochettes (Extrait de Lakmé) | Léo Delibes, Orchestre Paul Kuentz, Elisabeth Vidal | G Major | 1 | 9B | 129 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM |
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