Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Erika Köth/Gottlob Frick/Chor der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker made "LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Zweiter Akt, zweite Szene: - Weihe mir eine Träne (Wahnsinns-Szene: Lucia - Chor - Raimund)" available on April 12, 2013. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 16 in Donizetti: Lucia di Lammermoor [Electrola Querschnitte] by Walter Scott, Salvatore Cammarano, Gaetano Donizetti, Erika Köth/Josef Metternich/Gottlob Frick/Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Zweiter Akt, zweite Szene: - Weihe mir eine Träne (Wahnsinns-Szene: Lucia - Chor - Raimund) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Zweiter Akt, zweite Szene: - Weihe mir eine Träne (Wahnsinns-Szene: Lucia - Chor - Raimund) by Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Erika Köth/Gottlob Frick/Chor der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor, Act III: Tu che a Dio spiegasti l'ali | Gaetano Donizetti, Andrea Bocelli, Mariano Buccino, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 3 | 10B | 76 BPM | ||
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Juan Diego Flórez, Riccardo Frizza, Orchestra Sinfonica di Milano Giuseppe Verdi | F Minor | 1 | 4A | 78 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM |
Section: 0.6861875057220459
End: 0.691248893737793