"La Traviata / Act 3: "Prendi, quest'è l'immagine"" by Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber was released on January 1, 1977. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber. The song's track number on the album is #16 out of 38 tracks. La Traviata / Act 3: "Prendi, quest'è l'immagine" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Traviata / Act 3: "Prendi, quest'è l'immagine" by Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La Traviata / Act 3: "Prendi, quest'è l'immagine" being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Der Rosenkavalier, Op. 59, Act III: "Marie Theres'! Hab' mir's gelobt" (Octavian, Marschallin, Sophie) | Richard Strauss, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Herbert von Karajan, Philharmonia Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Ritter Pázmán: Csárdás | Johann Strauss II, Carlos Kleiber, Wiener Philharmoniker | D Major | 3 | 10B | 75 BPM | ||
La forza del destino, Act III: Pane, pan per carità (Preziosilla) | Giuseppe Verdi, Dolora Zajick, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | E Major | 1 | 12B | 131 BPM | ||
Die Meistersinger von Nürnberg, Act 3, Scene 2: "Abendlich glühend in himmlischer Pracht" | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | F Major | 1 | 7B | 77 BPM | ||
Bluebeard's Castle, Sz. 48 (Op.11): "Most csukódjon be az ajtó" | Béla Bartók, Dietrich Fischer-Dieskau, Orchestra of the Bavarian State Opera, Wolfgang Sawallisch | A♭ Minor | 0 | 1A | 79 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Bluebeard's Castle, Sz. 48 (Op.11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" | Béla Bartók, Julia Varady, Bavarian State Orchestra, Wolfgang Sawallisch | F Major | 1 | 7B | 84 BPM | ||
Don Carlos / Act II: O ma chère compagne | Giuseppe Verdi, Ruggero Raimondi, Katia Ricciarelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | C Minor | 2 | 5A | 96 BPM |
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