"Bluebeard's Castle, Sz. 48 (Op.11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!"" by Béla Bartók, Julia Varady, Bavarian State Orchestra, Wolfgang Sawallisch was released on January 1, 1988. The duration of Bluebeard's Castle, Sz. 48 (Op.11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Bluebeard's Castle, Sz. 48 (Op.11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 19 in Bartók: Bluebeard's Castle by Béla Bartók, Bavarian State Orchestra, Wolfgang Sawallisch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bluebeard's Castle, Sz. 48 (Op.11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bluebeard's Castle, Sz. 48 (Op.11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" by Béla Bartók, Julia Varady, Bavarian State Orchestra, Wolfgang Sawallisch is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musica callada I Angelico | Federico Mompou, Arcadi Volodos | A Minor | 0 | 8A | 93 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
String Quartet No. 1, Sz. 40: I. Lento | Béla Bartók, Heath Quartet | D♭ Major | 2 | 3B | 133 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
11 Pezzi infantili, Op. 35: X. Berceuse | Alfredo Casella, Luca Ballerini | E♭ Major | 0 | 5B | 78 BPM |
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