- BPM
- 61
- Key
- F♯ Major
- Camelot
- 2B
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) - Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit Information
- Acousticness
- 91%
- Danceability
- 6%
- Energy
- 7%
- Instrumentalness
- 87%
- Liveness
- 12%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 17%
- Loudness
- -23.549 dB
Summary
"La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer)" by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1989. Since La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Debussy: La Mer; Jeux; Prélude à l'après-midi d'un faune; Le Martyre de Saint Sébastien (Symphonic Fragments) by Claude Debussy, Charles Dutoit, Orchestre Symphonique de Montréal. La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) BPM
The tempo marking of La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) by Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | |
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | |
 | Debussy: Piano Trio in G Major, L. 5: IV. Finale - Appassionato | Claude Debussy, Bertrand Chamayou | F Minor | 2 | 4A | 109 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | |
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | |
 | El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | |
 | Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.1010994911193848
End: 1.1048274040222168