Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge's 'L'elisir d'amore / Act 1: "Or se m'ami, come io t'amo...Intanto, o mia ragazza"' came out on January 1, 1971. L'elisir d'amore / Act 1: "Or se m'ami, come io t'amo...Intanto, o mia ragazza" is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 6 out of 30 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, L'elisir d'amore / Act 1: "Or se m'ami, come io t'amo...Intanto, o mia ragazza"'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L'elisir d'amore / Act 1: "Or se m'ami, come io t'amo...Intanto, o mia ragazza" by Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "Noi Don Magnifico..." | Gioachino Rossini, Enzo Dara, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" | Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 84 BPM | ||
Tosca / Act 2: "Vittoria! Vittoria!" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | A Major | 3 | 11B | 96 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | C Major | 4 | 8B | 95 BPM | ||
Norma / Act 1: "Meco all'altar di Venere" | Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | C Minor | 3 | 5A | 62 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Swan Lake, Op. 20, TH.12 / Act 1: No. 5c Pas de deux: Valse | Pyotr Ilyich Tchaikovsky, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 90 BPM | ||
Mosè in Egitto / Act 1: No. 1 Introduzione: "Ah! Chi ne aiuta! Oh ciel!" | Gioachino Rossini, Philharmonia Orchestra, Claudio Scimone, Siegmund Nimsgern, Ernesto Palacio, Zehava Gal, Ambrosian Opera Chorus | D Major | 1 | 10B | 93 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM |
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