"Requiem canticorum: Introit" by James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan was released on September 6, 2011. With this song being about 5 minutes long, at 5:27, "Requiem canticorum: Introit" by James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Whitbourn: Living Voices by James Whitbourn, Westminster Williamson Voices, James Jordan. The song's track number on the album is #15 out of 20 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Requiem canticorum: Introit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem canticorum: Introit by James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan has a tempo of 122 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Requiem canticorum: Introit being at 122 BPM, the half-time would be 61 BPM with a double-time of 244 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
La Kanteletar: I. Herkä neito | Veljo Tormis, Mikrokosmos, Loïc Pierre | F♯ Major | 0 | 2B | 69 BPM | ||
Sunrise Mass: I. The Spheres | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Mass in D Major, Op. 86, B. 153: V. Benedictus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 67 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Glory to the most Holy Trinity | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | A♭ Minor | 2 | 1A | 90 BPM | ||
Annelies (Chamber Version): I. Introit - Prelude [Live] | James Whitbourn, Alissa Rose, Festival Chorus, Richard MacDowell, Max Buckholtz, Brad Holtman, Eun-Joo Kwak, Peggy Dettwiler | C Minor | 0 | 5A | 85 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Requiem for counter-tenor, choir & organ: II. Dies Irae - III. Tuba mirum | George Lloyd, Jeffrey Makinson, The Exon Singers, Matthew Owens | D♭ Major | 2 | 3B | 86 BPM |
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