"Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Glory to the most Holy Trinity" by Georgy Sviridov, Credo Chamber Choir, Bogdan Plish was released on January 6, 2015. With Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Glory to the most Holy Trinity being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Sviridov: Hymns & Prayers". In this album, this song's track order is #10. In terms of popularity, Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Glory to the most Holy Trinity is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Glory to the most Holy Trinity by Georgy Sviridov, Credo Chamber Choir, Bogdan Plish having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gothic Suite Op 25: Pière à Notre-Dame | Léon Boëllmann, William McVicker | A♭ Major | 0 | 4B | 71 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Les Indes galantes, RCT 44 / Entrée IV: Danse des sauvages | Jean-Philippe Rameau, Daniel Hope, Michael Metzler, Zürcher Kammerorchester | G Minor | 3 | 6A | 107 BPM | ||
Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
Holy God | Credo Chamber Choir | B Major | 1 | 1B | 132 BPM | ||
Пушкинский Венок: VII. Зорю Бьют | Georgy Sviridov, Новосибирский камерный хор, Владимир Минин, Александр Ведерников | F♯ Major | 0 | 2B | 83 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM |
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