"Three Shakespeare Songs: I. Full Fathom Five" by Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir was released on November 1, 2019. The duration of Three Shakespeare Songs: I. Full Fathom Five is about 3 minutes long, at 3:29. Based on our data, "Three Shakespeare Songs: I. Full Fathom Five" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Simon Phipps, Maria Forsström, Jennifer Pike, Swedish Chamber Choir's "Like to the Lark" album is number 2 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Three Shakespeare Songs: I. Full Fathom Five's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Shakespeare Songs: I. Full Fathom Five by Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Préludes / Book 1, L.117: 8. La fille aux cheveux de lin | Claude Debussy, Pierre-Laurent Aimard | F♯ Major | 0 | 2B | 135 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag | RTE Concert Orchestra, Ralph Vaughan Williams | F Minor | 0 | 4A | 107 BPM | ||
2 Irish Pieces: No. 1. From the Countryside | William Alwyn, Ashley Wass | G Major | 0 | 9B | 70 BPM | ||
Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Elegy for Solo Viola, String Quartet and String Orchestra, Op. 15: Quasi Lento, teneramente | Herbert Howells, Richard Hickox, City of London Sinfonia, Andrew Watkinson, Edward Roberts, Matthew Souter, Shuna Wilson | C Minor | 0 | 5A | 90 BPM |
Section: 0.6677331924438477
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