"2 Irish Pieces: No. 1. From the Countryside" by William Alwyn, Ashley Wass was released on September 30, 2008. The duration of 2 Irish Pieces: No. 1. From the Countryside is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. 2 Irish Pieces: No. 1. From the Countryside's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 30 in Alwyn, W.: Piano Music, Vol. 2 - 12 Preludes / Contes Barbares / Movements by William Alwyn, Ashley Wass. 2 Irish Pieces: No. 1. From the Countryside is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Irish Pieces: No. 1. From the Countryside by William Alwyn, Ashley Wass is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Miniatures for piano trio: Set 1: No. 1. Minuet | Frank Bridge, Jack Liebeck, Alexander Chaushian, Ashley Wass | C Major | 0 | 8B | 120 BPM | ||
Overture to a Masque | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | D Minor | 0 | 7A | 134 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Suite of Scottish Dances: Colonel Thornton's Strathspey | William Alwyn, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 0 | 9B | 74 BPM | ||
The Sanguine Fan, Op. 81: No. 7: Allegro, "Echo's Dance" (piano adaptation) | Edward Elgar, Ashley Wass | G Major | 0 | 9B | 71 BPM |
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