"Five Variants of ‘Dives and Lazarus’" by Ralph Vaughan Williams, Hallé, Sir Mark Elder was released on November 3, 2014. Five Variants of ‘Dives and Lazarus’ appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Pastoral Symphony by Ralph Vaughan Williams, Sir Mark Elder, Hallé. The song's track number on the album is #6 out of 7 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Five Variants of ‘Dives and Lazarus’ is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Five Variants of ‘Dives and Lazarus’ by Ralph Vaughan Williams, Hallé, Sir Mark Elder has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Five Variants of ‘Dives and Lazarus’ being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, New Queen's Hall Orchestra, Barry Wordsworth | B Minor | 1 | 10A | 85 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Gounod: La Colombe, Act 2: "Mais non, quand nous aurons dine" (Horace) | Charles Gounod, Sir Mark Elder, Hallé | D Major | 2 | 10B | 92 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano) | Johann Sebastian Bach, Daniil Trifonov | G Major | 0 | 9B | 82 BPM |
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