"Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus" by Louis Vierne, Michel Bouvard was released on October 1, 1996. The duration of Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vierne: Messe solennelle pour deux orgues et choeur - Widor: 10ème symphonie "Romane" (Orgue A. Cavaillé-Coll Toulouse) by Michel Bouvard, Ensemble Les Eléments, Joël Suhubiette. The song's track number on the album is #3 out of 13 tracks. Based on our data, France was the country where this track was produced or recorded. Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus by Louis Vierne, Michel Bouvard has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Versicle/Response: Deus in adjutorium/Domine in adiuvandum | Claudio Monteverdi, Choir Of The Enlightenment, Eamonn Dougan, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM | ||
Brahms : 7 Lieder Op.62 : III Waldesnacht | Johannes Brahms, Arnold Schoenberg Chor | D Minor | 2 | 7A | 76 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Laudate Pueri" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 3 | 9B | 134 BPM | ||
Trois chansons de Charles d'Orléans, L.62: 2. Quant j'ai ouy le tabourin | Claude Debussy, Nicola Jenkin, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 85 BPM | ||
Messe solennelle, Op. 16: IV. Benedictus | Louis Vierne, Choir of St. John's College, Cambridge, Andrew Nethsingha, Guy James, Edward Picton-Turbervill, Joseph Wicks | D Minor | 1 | 7A | 66 BPM | ||
Missa brevis in D Major, K. 194: I. Kyrie | Wolfgang Amadeus Mozart, Maria Zedelius, Klaus Schneider, Hilke Helling, Klaus Mertens, Kölner Kammerchor, Collegium Classicum Köln, Peter Neumann | F Major | 0 | 7B | 91 BPM | ||
Hymnen, Op. 140: Nr. 2 Dextera Domini | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 78 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Five Mystical Songs: No. 1, Easter | Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra, Brian Rayner Cook, London Philharmonic Choir | D Major | 2 | 10B | 78 BPM |
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