"Vespro della Beata Vergine, SV 206: Psalmus "Laudate Pueri"" by Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion was released on September 1, 2023. Vespro della Beata Vergine, SV 206: Psalmus "Laudate Pueri" is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Céline Scheen, Perrine Devillers, Lucile Richardot, Emiliano Gonzalez Toro, Zachary Wilder, Antonin Rondepierre's "Monteverdi: Vespro della Beata Vergine" album is number 4 out of 26. On top of that, France appears to be the country where this track was created. Based on our statistics, Vespro della Beata Vergine, SV 206: Psalmus "Laudate Pueri"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespro della Beata Vergine, SV 206: Psalmus "Laudate Pueri" by Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dum transisset sabbatum | John Taverner, Alamire, David Skinner | E♭ Minor | 3 | 2A | 79 BPM | ||
Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Missa Papae Marcelli: Gloria | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 1 | 11B | 140 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 1: "Ecco la sconsolata donna" (Seneca, Ottavia, Valletto) | Claudio Monteverdi, Richard Hickox, Gregory Reinhart, Juliet Booth, Linda Hirst, City Of London Baroque Sinfonia | D Major | 1 | 10B | 81 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Magnificat: XIII. Sicut erat | Claudio Monteverdi, Henry Purcell, Spandauer Kantorei, Helmuth Rilling, Georg Hortnagel, Hans Martin, Hannelore Michel | G Minor | 1 | 6A | 80 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM |
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