"Magnificat: XIII. Sicut erat" by Claudio Monteverdi, Henry Purcell, Spandauer Kantorei, Helmuth Rilling, Georg Hortnagel, Hans Martin, Hannelore Michel was released on January 1, 2011. With Magnificat: XIII. Sicut erat being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 111 Renaissance Masterpieces, so we believe that "Magnificat: XIII. Sicut erat" is a single. Magnificat: XIII. Sicut erat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat: XIII. Sicut erat by Claudio Monteverdi, Henry Purcell, Spandauer Kantorei, Helmuth Rilling, Georg Hortnagel, Hans Martin, Hannelore Michel is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM | ||
Madrigals, Book 9: Di far sempre gioire, SV 170 | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Hugo Naessens, Falco van Loon, Bas Ramselaar | B♭ Major | 0 | 6B | 69 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 133 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | ||
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 94 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Zelenka: Gesù al Calvario, ZWV 62: "S'una sol lagrima" | Jan Dismas Zelenka, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B Minor | 1 | 10A | 91 BPM |
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