"Il bianco e dolce cigno" by Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón was released on August 17, 2018. The duration of Il bianco e dolce cigno is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Il bianco e dolce cigno's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 60 in Arcadelt: Motetti - Madrigali - Chansons by Jacques Arcadelt, Chœur De Chambre De Namur, Cappella Mediterranea, Doulce Mémoire. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Il bianco e dolce cigno's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il bianco e dolce cigno by Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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2 Choeurs, Op. 68: No. 2. Les fleurs et les arbres | Camille Saint-Saëns, musica intima | E♭ Major | 1 | 5B | 76 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Regina caeli: I. Regina caeli laetare | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM | ||
Le chant des oiseaux | Clément Janequin, Concert Clemens, Carsten Seyer-Hansen | B♭ Major | 2 | 6B | 78 BPM | ||
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM | ||
Phos Hilaron | The Schola Cantorum of St. Peter's in the Loop | C Minor | 1 | 5A | 86 BPM | ||
Missa "Mater Patris": Kyrie from the mass Mater Matris | Josquin des Prez, Jerycho, Bartosz Izbicki | D♭ Minor | 3 | 12A | 78 BPM | ||
Burial service: I heard a voice from heaven | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM |
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