"Salmo VI del Oficio de difuntos" by Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay was released on April 29, 2002. With this song being about 5 minutes long, at 5:29, "Salmo VI del Oficio de difuntos" by Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "O Crux - Spanish Choral Music". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Salmo VI del Oficio de difuntos's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salmo VI del Oficio de difuntos by Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Romanian Folk Dances, Sz. 56 (Arr. A. Levering for Flute & Guitar): No. 1, Joc cu bâta | Béla Bartók, Irene Kalisvaart, Britta Jacobs | A Minor | 1 | 8A | 95 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM | ||
Asturias (Leyenda) | Isaac Albéniz, Simon Dinnigan | E Minor | 1 | 9A | 108 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Piano Sonata No.16 in C, K.545 "Sonata facile": 2. Andante | Wolfgang Amadeus Mozart, András Schiff | G Major | 0 | 9B | 67 BPM | ||
Adagio in G Minor for Organ and Strings (Transcr. for two guitars by A. Lagoya) | Tomaso Albinoni, Remo Giazotto, Alexandre Lagoya, Ida Presti | D♭ Minor | 0 | 12A | 79 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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