"Mass for Double Choir: IV. Sanctus - Benedictus" by Frank Martin, Westminster Choir, Joe Miller was released on September 21, 2018. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Westminster Choir, Joe Miller's "Martin: Mass for Double Choir" album is number 4 out of 9. Based on our statistics, Mass for Double Choir: IV. Sanctus - Benedictus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass for Double Choir: IV. Sanctus - Benedictus by Frank Martin, Westminster Choir, Joe Miller to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Wellensis: IV. Agnus Dei | John Tavener, Wells Cathedral Choir, Matthew Owens | G Minor | 0 | 6A | 0 BPM | ||
Crucifixus | Antonio Lotti, Armonico Consort, Christopher Monks | C Minor | 1 | 5A | 127 BPM | ||
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Kyrie | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 65 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Benjamin Britten: A Hymn to the Virgin | Benjamin Britten, Schola Cantorum, Tone Bianca Sparre Dahl | A Minor | 1 | 8A | 71 BPM | ||
To the Hands: No. 3. Her Beacon-Hands Beckon | Caroline Shaw, The Crossing, Donald Nally | B Minor | 0 | 10A | 87 BPM | ||
Le chant des oiseaux | Clément Janequin, Concert Clemens, Carsten Seyer-Hansen | B♭ Major | 2 | 6B | 78 BPM | ||
Fünf Gesänge, Op. 104: III. Letztes Glück | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 2 | 7B | 101 BPM | ||
St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
Under the Willow Tree | Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer | A Major | 1 | 11B | 76 BPM |
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