"Bei Männern, welche Liebe fühlen (Die Zauberflöte)" by Friedrich Schorr, Emmy Bettendorf was released on September 1, 2006. The duration of Bei Männern, welche Liebe fühlen (Die Zauberflöte) is about 3 minutes long, at 3:13. Based on our data, "Bei Männern, welche Liebe fühlen (Die Zauberflöte)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr" album is number 2 out of 16. Bei Männern, welche Liebe fühlen (Die Zauberflöte) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bei Männern, welche Liebe fühlen (Die Zauberflöte) by Friedrich Schorr, Emmy Bettendorf to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
15. The threaten'd cloud has pass'd away | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 115 BPM | ||
Bei Männern, welche Liebe fühlen (Die Zauberflöte) | Friedrich Schorr, Emmy Bettendorf | E♭ Major | 1 | 5B | 80 BPM | ||
Lucia di Lammermoor: Act I: Regnava nel silenzio (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Raffaele Arie, Valiano Natali, Anna Maria Canali, Gino Sarri, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | F♯ Major | 1 | 2B | 86 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Finale. "Through the House" | Felix Mendelssohn, Otto Klemperer, Heather Harper, The Philharmonia Chorus, Philharmonia Orchestra | E♭ Major | 2 | 5B | 90 BPM | ||
Maria di Rohan: Alma soave e cara | Gaetano Donizetti, Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola | B♭ Major | 2 | 6B | 169 BPM | ||
Jerum! Jerum! (Die Meistersinger von Nürnberg) | Friedrich Schorr | B♭ Major | 2 | 6B | 95 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 1: Prelude … Da zu dir der Heiland kam | Richard Wagner, Friedrich Schorr, Emanuel List, Leo Schützendorf, Robert Hutt, Carl Jöken, Elfriede Marherr-Wagner, Lydia Kindermann, Berlin State Opera Chorus, Staatskapelle Berlin, Leo Blech | D Major | 1 | 10B | 80 BPM | ||
Requiem, Op. 89, B. 165, Pt. 1: III. Dies irae | Antonín Dvořák, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Kim Borg, Czech Philharmonic, Karel Ančerl, Czech Chorus, Prague, Markéta Kühnová | B♭ Minor | 2 | 3A | 87 BPM | ||
Les Contes d'Hoffmann / Act 1: "Glou, glou, glou! Je suis la bière" | Jacques Offenbach, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | F Major | 1 | 7B | 114 BPM | ||
Les Pêcheurs de perles: O lumière sainte (Leïla, Nadir, Zurga) | Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'Opera Comique | G Major | 3 | 9B | 84 BPM |