"Les Pêcheurs de perles: O lumière sainte (Leïla, Nadir, Zurga)" by Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'Opera Comique was released on October 11, 2010. With Les Pêcheurs de perles: O lumière sainte (Leïla, Nadir, Zurga) being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 27 in Bizet: Les Pecheurs de perles by Georges Bizet, Pierre Dervaux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Les Pêcheurs de perles: O lumière sainte (Leïla, Nadir, Zurga) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Pêcheurs de perles: O lumière sainte (Leïla, Nadir, Zurga) by Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'Opera Comique is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falstaff, Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Heinz Zednik, Giuseppe Taddei, Federico Davia, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 70 BPM | ||
Poulenc: Dialogues des Carmélites, FP 159, Act 1: Interlude III | Francis Poulenc, Pierre Dervaux, Choeurs et Orchestre du Théâtre National de l'Opéra, Paris, Orchestre du Théâtre National de l'Opéra de Paris | G Major | 4 | 9B | 164 BPM | ||
Ravel: L'heure espagnole, M. 52: "En dépit de cette inhumaine" (Gonzalve) | Maurice Ravel, André Cluytens, Jean Giraudeau, Orchestre Du Theatre National De L'Opera Comique | G Major | 1 | 9B | 89 BPM | ||
Carmen / Act 1: "Halte! Repos!" / "Une jolie fille est venue" | Georges Bizet, Jean-Noel Sissia, Tony Jacquot, Jean Barney, David Clair | G Minor | 0 | 6A | 121 BPM | ||
Aida: Act IV: Vedi? ... di morte l'angelo | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | D♭ Major | 0 | 3B | 73 BPM | ||
Carmen / Act 3: Air: "Je dis que rien ne m'épouvante" | Georges Bizet, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 81 BPM | ||
Carmen / Act 2: "Halte-là! Qui va là? Dragon d'Alcala!" | Georges Bizet, Plácido Domingo, Jane Berbié, Norma Burrowes, Tatiana Troyanos, Michel Roux, Michel Sénéchal, Jacques Loreau, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 0 | 5B | 88 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Lohengrin, WWV 75 / Act I: Des Ritters will ich wahren | Richard Wagner, Cheryl Studer, Kurt Moll, Andreas Schmidt, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | A Major | 5 | 11B | 137 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM |