"Carmen / Act 3: Air: "Je dis que rien ne m'épouvante"" by Georges Bizet, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1983. With this song being about 5 minutes long, at 5:18, "Carmen / Act 3: Air: "Je dis que rien ne m'épouvante"" by Georges Bizet, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 55 in Bizet: Carmen by Georges Bizet, Agnes Baltsa, José Carreras, José van Dam, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan. Carmen / Act 3: Air: "Je dis que rien ne m'épouvante" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen / Act 3: Air: "Je dis que rien ne m'épouvante" by Georges Bizet, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le docteur Miracle: Scene 4: Couplets: Je sais monter les escaliers (Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | B♭ Major | 0 | 6B | 90 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Le docteur Miracle: Scene 11: Ah, c'est vous, tendre amie (Le Podestat, Veronique, Laurette) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Minor | 0 | 4A | 79 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": IV. Presto and Finale. Saltarello | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Minor | 1 | 9A | 100 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Orfeo ed Euridice, Wq. 30: Dance Of The Furies | Christoph Willibald Gluck, Orpheus Chamber Orchestra | D Minor | 4 | 7A | 150 BPM | ||
Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM |