Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean's 'Le docteur Miracle: Scene 4: Couplets: Je sais monter les escaliers (Pasquin)' had a release date set for July 30, 2013. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Le docteur Miracle: Scene 4: Couplets: Je sais monter les escaliers (Pasquin)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 20 in Bizet: Le Docteur Miracle by Georges Bizet, Leon Battu, Ludovic Halévy, Samuel Jean. In terms of popularity, Le docteur Miracle: Scene 4: Couplets: Je sais monter les escaliers (Pasquin) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Le docteur Miracle: Scene 4: Couplets: Je sais monter les escaliers (Pasquin) by Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le docteur Miracle: Scene 7: Encore un coup, malheureux (Le Podestat, Pasquin, Veronique, Laurette) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Minor | 3 | 4A | 103 BPM | ||
Over the Rainbow - From "The Wizard of Oz" | Harold Arlen, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | D♭ Major | 2 | 3B | 82 BPM | ||
Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (a) "Rien! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Rigoletto: La donna è mobile | Giuseppe Verdi, Richard Leech, John Fiore, London Symphony Orchestra | E Major | 2 | 12B | 83 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": IX. Sopran solo, Tenor solo: Drum singe ich mit meinem Liede | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Chen Reiss, Patrick Grahl | E Major | 1 | 12B | 72 BPM | ||
Act I: Ah, guarda, sorella | Wolfgang Amadeus Mozart, James Levine, Marilyn Horne, Leontyne Price, Metropolitan Opera Orchestra | E♭ Major | 3 | 5B | 169 BPM | ||
La forza del destino, Act II, Scene II: Son giunta! Grazie, o Dio! | Giuseppe Verdi, Dinara Alieva, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Major | 3 | 8B | 108 BPM | ||
Messa di Gloria: XVIII. Agnus Dei | Giacomo Puccini, Charles Castronovo, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | C Major | 1 | 8B | 140 BPM | ||
Il pirata, Act II: Act II: Qual suono ferale (Imogene, Choir) | Vincenzo Bellini, Maria Callas, Pier Miranda Ferraro, Constantino Ego, Glade Peterson, Chester Watson, Regina Sarfaty, American Opera Society Chorus, American Opera Society Orchestra, Nicola Rescigno | B Minor | 4 | 10A | 92 BPM |