"Maria di Rohan: Alma soave e cara" by Gaetano Donizetti, Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola was released on May 1, 2019. With Maria di Rohan: Alma soave e cara being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi Donizetti by Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola. The song's track number on the album is #7 out of 11 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Maria di Rohan: Alma soave e cara is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Maria di Rohan: Alma soave e cara by Gaetano Donizetti, Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Maria di Rohan: Alma soave e cara being at 169 テンポ, the half-time would be 84 テンポ with a double-time of 338 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il corsaro: Ah sì, ben dite - Tutto parea sorridere - Pronti siate a seguitarmi | Giuseppe Verdi, Michael Fabiano, London Voices, London Philharmonic Orchestra, Enrique Mazzola | A♭ Major | 2 | 4B | 78 BPM | ||
Le nozze di Figaro, K.492 - Original version, Vienna 1786 / Act 2: "Voi che sapete" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | B♭ Major | 1 | 6B | 119 BPM | ||
If Only Once More | Shere Fraser, Seeking the Sublime | C Major | 1 | 8B | 61 BPM | ||
Il barbiere di Siviglia: Overture | Gioachino Rossini, David Parry, London Philharmonic Orchestra | E Major | 3 | 12B | 95 BPM | ||
La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bertrand de Billy | F Major | 0 | 7B | 82 BPM | ||
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Zweiter Akt, zweite Szene: - Weihe mir eine Träne (Wahnsinns-Szene: Lucia - Chor - Raimund) | Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Erika Köth/Gottlob Frick/Chor der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | G Major | 4 | 9B | 64 BPM | ||
Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
The Planets Suite, Op. 32: Jupiter | Gustav Holst, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 172 BPM |