Friedrich Schorr's 'Jerum! Jerum! (Die Meistersinger von Nürnberg)' came out on September 1, 2006. The duration of Jerum! Jerum! (Die Meistersinger von Nürnberg) is about 3 minutes long, at 3:19. Based on our data, "Jerum! Jerum! (Die Meistersinger von Nürnberg)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr" album is number 13 out of 16. In terms of popularity, Jerum! Jerum! (Die Meistersinger von Nürnberg) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jerum! Jerum! (Die Meistersinger von Nürnberg) by Friedrich Schorr to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
5. Buon' giorno, signorine! | Arthur Sullivan, Thomas Round, Alan Styler, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | D♭ Major | 7 | 3B | 204 BPM | ||
La fille du régiment / Act 1: Dès que l'appel sonne | Gaetano Donizetti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
Rossini: Guillaume Tell, Act 4 Scene 11: "Pourquoi ta presence, ô mon père! ... Tout change et grandit en ces lieux!" (Arnold, Guillaume, Hedwige, Jemmy, Mathilde, Gessler, Walter, Chorus) | Gioachino Rossini, Mady Mesplé/Jocelyne Taillon/Gabriel Bacquier/Nicolai Gedda/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra | C Major | 2 | 8B | 78 BPM | ||
Funiculi, funicula | Luigi Denza, Alessandro Ziliani | F Major | 1 | 7B | 127 BPM | ||
Abendlich glühend (Die Meistersinger von Nürnberg) | Rudolf Laubenthal, London Symphony Orchestra, Friedrich Schorr | G Major | 3 | 9B | 90 BPM | ||
La traviata / Act I: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Bruno Grella, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 4 | 4B | 91 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 1: "Verehrteste Damen und Herren" | Franz Lehár, Donald Grobe, Zoltan Kelemen, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM |