Rudolf Laubenthal, London Symphony Orchestra, Friedrich Schorr's 'Abendlich glühend (Die Meistersinger von Nürnberg)' came out on September 5, 2006. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rudolf Laubenthal's "Lebendige Vergangenheit - Rudolf Laubenthal" album is number 3 out of 15. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Abendlich glühend (Die Meistersinger von Nürnberg) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Abendlich glühend (Die Meistersinger von Nürnberg) by Rudolf Laubenthal, London Symphony Orchestra, Friedrich Schorr to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | C Minor | 2 | 5A | 89 BPM | ||
Liebestod | Richard Wagner, Kirsten Flagstad | D♭ Minor | 1 | 12A | 110 BPM | ||
Lohengrin, WWV 75 / Act 3: In fernem Land, unnahbar euren Schritten | Richard Wagner, James King, Karl Ridderbusch, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Bavarian Radio Chorus, Heinz Mende | E♭ Major | 4 | 5B | 124 BPM | ||
Torróba: Maravilla: Amor, vida de mi vida | Federico Moreno Torroba, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid | F Major | 3 | 7B | 101 BPM | ||
Les Pêcheurs de perles: C'est elle! Elle vient...Sois la bienvenue (Fishermen, Villagers) | Georges Bizet, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | D Minor | 8 | 7A | 140 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 88 BPM | ||
Puccini: Turandot, Act 1: "Non piangere, Liù!" (Calaf, Liù, Timur) | Giacomo Puccini, Antonio Pappano, Ermonela Jaho, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Minor | 1 | 2A | 83 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Maria di Rohan: Alma soave e cara | Gaetano Donizetti, Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola | B♭ Major | 2 | 6B | 169 BPM |