Richard Wagner, Friedrich Schorr, Emanuel List, Leo Schützendorf, Robert Hutt, Carl Jöken, Elfriede Marherr-Wagner, Lydia Kindermann, Berlin State Opera Chorus, Staatskapelle Berlin, Leo Blech made "Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 1: Prelude … Da zu dir der Heiland kam" available on March 6, 2012. Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 1: Prelude … Da zu dir der Heiland kam appears to be safe for all ages as it is not explicit. The song is number 1 out of 15 in Die Meistersinger von Nurnberg (1919-1930) by Richard Wagner, Leo Blech, Bruno Seidler - Winkler, Lawrance Collingwood, Albert Coates, Sir John Barbirolli. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 1: Prelude … Da zu dir der Heiland kam is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 1: Prelude … Da zu dir der Heiland kam by Richard Wagner, Friedrich Schorr, Emanuel List, Leo Schützendorf, Robert Hutt, Carl Jöken, Elfriede Marherr-Wagner, Lydia Kindermann, Berlin State Opera Chorus, Staatskapelle Berlin, Leo Blech is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM | ||
Konzertstück for 4 Horns and Orchestra in F Major, Op. 86: 4本のホルンと管弦楽のためのコンツェルトシュトゥック ヘ長調作品86 第1楽章 | Robert Schumann, Paavo Järvi, Deutsche Kammerphilharmonie Bremen | F Major | 0 | 7B | 70 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Karfreitagszauber | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: 2. Andante mosso, quasi allegretto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 80 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.3 Cavatina Figaro "Se vuol ballare" | Wolfgang Amadeus Mozart, Concerto Köln, Lorenzo Regazzo, René Jacobs | C Major | 1 | 8B | 116 BPM |