Johann Strauss II, Julia Varady, René Kollo's 'Die Fledermaus / Act 1: Dialog: Die arme Tante' came out on January 1, 1976. With Die Fledermaus / Act 1: Dialog: Die arme Tante being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #5. In terms of popularity, Die Fledermaus / Act 1: Dialog: Die arme Tante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Fledermaus / Act 1: Dialog: Die arme Tante by Johann Strauss II, Julia Varady, René Kollo having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest" | Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 128 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Dichterliebe, Op.48: 15. Aus alten Märchen winkt es | Robert Schumann, Fritz Wunderlich, Hubert Giesen | E Major | 1 | 12B | 151 BPM | ||
Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 66 BPM | ||
Rigoletto / Act 3: Della vendetta alfin giunge l'istante | Giuseppe Verdi, Plácido Domingo, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 0 | 1B | 80 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Verwegener Alter | Ludwig van Beethoven, Falk Struckmann, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 6 & 7. N.7 Terzetto Il Conte, Basilio, Susanna "Cosa sento! tosto andate" | Wolfgang Amadeus Mozart, Concerto Köln, Kobie Van Rensburg, Patrizia Ciofi, René Jacobs, Simon Keenlyside | B♭ Major | 2 | 6B | 111 BPM | ||
Faust: Faust: Romance | Johann Strauss II, Bratislava City Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | F♯ Minor | 2 | 11A | 184 BPM | ||
Otello / Act 1: "Inaffia l'ugola! Trinca, tracanna" (Brindisi) | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, John Keyes, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E Minor | 1 | 9A | 149 BPM | ||
Wiener Blut (operetta): Stoß an! | Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester | E♭ Major | 4 | 5B | 175 BPM |