"Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle"" by Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin was released on January 1, 1981. Since Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #3 out of 38 tracks. Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" by Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" being at 66 テンポ, the half-time would be 33 テンポ with a double-time of 132 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Götterdämmerung, WWV 86D / Erster Aufzug: "Jetzt bist du mein, Brünnhilde, Gunthers Braut" | Richard Wagner, Helga Dernesch, Helge Brilioth, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Nabucco / Act 4: (Introduzione) / Va, la palma del martirio | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E♭ Major | 0 | 5B | 130 BPM | ||
Tosca / Act 2: Orsù, Tosca, parlate | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 126 BPM | ||
Siegfried, WWV 86C / Act I: "Hoiho! Hoiho! Hau ein!" | Richard Wagner, Jess Thomas, Gerhard Stolze, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 76 BPM | ||
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM | ||
Die Meistersinger von Nürnberg, Act 3, Scene 2: "Abendlich glühend in himmlischer Pracht" | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | F Major | 1 | 7B | 77 BPM | ||
Rachmaninov: The Bells, Op. 35: III. Presto | Sergei Rachmaninoff, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | D♭ Major | 3 | 3B | 87 BPM | ||
Egmont - Complete Incidental Music, Op.84: 9. Siegessymphonie: Allegro con brio | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Major | 5 | 8B | 86 BPM | ||
Fidelio, Op. 72, Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
Symphony No. 8, Zweiter Teil: VII. Ewiger Wonnebrand | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, David Wilson-Johnson | A♭ Major | 2 | 4B | 74 BPM |