Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester made "Wiener Blut (operetta): Stoß an!" available on January 1, 1993. With Wiener Blut (operetta): Stoß an! being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wiener Blut - Maske in Blau - Die Dollarprinzessin by Rita Bartos, Herta Talmar, Sandor Konya, Antonia Fahberg, Peter Alexander, Ralf Paulsen, Chor, Grosses Operetten Orchester, Koelner Rundfunk Orchester, Franz Marszalek. The song's track number on the album is #7 out of 36 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Wiener Blut (operetta): Stoß an! is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Wiener Blut (operetta): Stoß an! by Johann Strauss II, Rita Bartos, Sandor Konya, Herta Talmar, Willy Hofmann, Peter Alexander, Chor, Franz Marszalek, Kölner Rundfunkorchester has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Wiener Blut (operetta): Stoß an! being at 175 テンポ, the half-time would be 88 テンポ with a double-time of 350 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Es war im Böhmerwald - "Böhmerwald-Lied" | Peter Alexander | D Major | 1 | 10B | 99 BPM | ||
Wunderbares Mädchen | Peter Alexander | F Major | 3 | 7B | 123 BPM | ||
Mitsou | Jacqueline Boyer | D Minor | 3 | 7A | 79 BPM | ||
Schenkt man sich Rosen in Tirol | Wiener Operettenorchester, Chor | B♭ Major | 5 | 6B | 88 BPM | ||
Der Fremdenlegionär | Das Rodgers-Duo | G Major | 3 | 9B | 166 BPM | ||
Liebesrosen (Rosen aus dem Süden) | Astrid Harzbecker | C Major | 7 | 8B | 116 BPM | ||
Die Fledermaus / Act 1: Nr.3 Duett: "Komm mit mir zum Souper" | Johann Strauss II, Bernd Weikl, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 120 BPM | ||
Als flotter Geist – Ja, das alles auf Ehr‘ - aus „Der Zigeunerbaron“ | Rudolf Schock | G Major | 4 | 9B | 83 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 1: Ballsirenenwalzer | Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek | G Major | 4 | 9B | 95 BPM | ||
Rot ist der Wein | Ivo Robic | F Major | 4 | 7B | 109 BPM |