Wolfgang Amadeus Mozart, Concerto Köln, Kobie Van Rensburg, Patrizia Ciofi, René Jacobs, Simon Keenlyside made "Le Nozze di Figaro, K. 492: Atto primo. Scene 6 & 7. N.7 Terzetto Il Conte, Basilio, Susanna "Cosa sento! tosto andate"" available on 2004. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, René Jacobs's "Mozart: Le nozze di Figaro" album is number 14 out of 62. In terms of popularity, Le Nozze di Figaro, K. 492: Atto primo. Scene 6 & 7. N.7 Terzetto Il Conte, Basilio, Susanna "Cosa sento! tosto andate" is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le Nozze di Figaro, K. 492: Atto primo. Scene 6 & 7. N.7 Terzetto Il Conte, Basilio, Susanna "Cosa sento! tosto andate" by Wolfgang Amadeus Mozart, Concerto Köln, Kobie Van Rensburg, Patrizia Ciofi, René Jacobs, Simon Keenlyside to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K. 620: Act I No. 7: Duett - Bei Mannern, welche Liebe fuhlen | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz | E♭ Major | 1 | 5B | 172 BPM | ||
Die Zauberflöte, K.620 / Act 1: Freue dich und fasse Mut, schöner Jüngling | Wolfgang Amadeus Mozart, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Christoph Strehl | A♭ Major | 0 | 4B | 113 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Ein Mädchen oder Weibchen" | Wolfgang Amadeus Mozart, Michael Kraus, Lotte Leitner, Andreas Schmidt, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 134 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Die Strahlen der Sonne vertreiben die Nacht" | Wolfgang Amadeus Mozart, Franz Crass, RIAS Kammerchor, Berliner Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 60 BPM | ||
Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Vieni! Segui i miei passi | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Veronica Cangemi, Freiburger Barockorchester, Bernarda Fink | A Major | 0 | 11B | 97 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: Ah ti ritrovo ancor - Non ti fidar, o misera | Wolfgang Amadeus Mozart, Joyce DiDonato, Diana Damrau, Rolando Villazón, Ildebrando D'Arcangelo, Mahler Chamber Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 61 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Orfeo: O Numi ! Barbari numi | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Bernarda Fink | E Minor | 1 | 9A | 77 BPM | ||
Don Giovanni: Atto Primo, Scena 5: "Ah chi mi dice mai" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Johannes Weisser, Lorenzo Regazzo, Freiburger Barockorchester, René Jacobs | B♭ Major | 2 | 6B | 120 BPM |