"Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte" by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor was released on September 28, 2001. With Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 6 out of 33. Based on our statistics, Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 92 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Torna, o bella, al tuo consorte" (Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Major | 1 | 12B | 42 BPM | ||
Mass in C, K.317 "Coronation": 5. Benedictus | Wolfgang Amadeus Mozart, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine | C Major | 1 | 8B | 90 BPM | ||
Fago: Confitebor tibi Domine: I. "Confitebor tibi Domine" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 90 BPM | ||
Te Deum, H. 146: X. In te Domine speravi | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, Jean-Paul Fouchécourt, Gilles Ragon, Bernard Deletré, William Christie | D♭ Major | 3 | 3B | 97 BPM | ||
Deborah, HWV 51: Part II: Chorus - The great King of Kings will aid us too | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | D♭ Major | 2 | 3B | 111 BPM | ||
Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scena 5. N.19 Sestetto Marcellina, Figaro, Bartolo, Don Curzio, il Conte, Susanna "Riconosci in questo amplesso" | Wolfgang Amadeus Mozart, Antonio Abete, Concerto Köln, Kobie Van Rensburg, Lorenzo Regazzo, Marie McLaughlin, Patrizia Ciofi, René Jacobs, Simon Keenlyside | C Major | 2 | 8B | 83 BPM |