"Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment"" by Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard was released on January 1, 1986. Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #3. In terms of popularity, Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" by Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
Dowland: "Flow My Tears" | John Dowland, Philippe Jaroussky, Thibaut García | A♭ Minor | 0 | 1A | 63 BPM | ||
O leggiadri occhi belli | Anonymous, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 73 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 8. Aria (Sopran) "Blute nur, du liebes Herz" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Sibylla Rubens | B♭ Minor | 0 | 3A | 139 BPM | ||
Semele, HWV 58 / Act 1: Endless Pleasure... | George Frideric Handel, Kathleen Battle, Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson | F Major | 1 | 7B | 80 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano | D♭ Major | 1 | 3B | 92 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink | F Minor | 0 | 4A | 81 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
Dido and Aeneas / Act 2: "The Queen of Carthage, whom we hate" | Henry Purcell, David Thomas, Elisabeth Priday, Sara Stowe, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 104 BPM |