Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge made "L'elisir d'amore / Act 2: "Ei corregge ogni difetto"" available on January 1, 1971. The duration of L'elisir d'amore / Act 2: "Ei corregge ogni difetto" is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. L'elisir d'amore / Act 2: "Ei corregge ogni difetto"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 30 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge. Based on our statistics, L'elisir d'amore / Act 2: "Ei corregge ogni difetto"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of L'elisir d'amore / Act 2: "Ei corregge ogni difetto" by Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Sgombra è la sacra | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 0 | 6B | 137 BPM | ||
La Traviata - Act. Iii - Parigi, O Cara Noi Lasceremo… | Renata Scotto, Luciano Pavarotti | A♭ Major | 0 | 4B | 167 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Olaf Bär, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Major | 1 | 3B | 164 BPM | ||
Il barbiere di Siviglia / Act 2: "Ah! qual colpo inaspettato!" - "Ah, disgraziati noi!" (Rosina, Figaro, Conte / Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) | Gioachino Rossini, Teresa Berganza, Luigi Alva, Hermann Prey, Enzo Dara, Luigi Roni, Paolo Montarsolo, Theodor Guschlbauer, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | F Major | 1 | 7B | 168 BPM | ||
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: "Next, Winter Comes Slowly, Pale" | Henry Purcell, John Shirley-Quirk, English Chamber Orchestra, Benjamin Britten | A Minor | 1 | 8A | 113 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Billy Budd, Op. 50 / Act 1: "Over the Water...Handsomely Done" | Benjamin Britten, Michael Langdon, Ambrosian Opera Chorus, London Symphony Orchestra | F Major | 0 | 7B | 167 BPM | ||
Les Contes d'Hoffmann / Prologue: Allons, allons mes enfants! Préparez cette salle | Jacques Offenbach, Pedro Di Proenza, Paul Guigue, Roland Jacques, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, L'Orchestre de la Suisse Romande, Richard Bonynge | C Major | 3 | 8B | 136 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "La pietade in suo favore" (Enrico, Raimondo, Chorus) | Gaetano Donizetti, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Norma / Act 1: Sediziose voci, voci di guerra | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 1 | 3B | 69 BPM |