"La Traviata - Act. Iii - Parigi, O Cara Noi Lasceremo…" by Renata Scotto, Luciano Pavarotti was released on January 1, 1992. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "La Traviata" album is number 10 out of 11. On top of that, United States appears to be the country where this track was created. The popularity of La Traviata - Act. Iii - Parigi, O Cara Noi Lasceremo… is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Traviata - Act. Iii - Parigi, O Cara Noi Lasceremo… by Renata Scotto, Luciano Pavarotti to be Vivace (lively and fast) because the track has a tempo of 167 テンポ, a half-time of 84テンポ, and a double-time of 334 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly (1986 - Remaster), Act II: E Izaghi ed Izanami (Suzuki/Butterfly) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | D Minor | 1 | 7A | 63 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
Non ti scordar di me (Arr. Mancini) | Ernesto de Curtis, Luciano Pavarotti, Henry Mancini | A Major | 3 | 11B | 86 BPM | ||
O Lola - Cavalleria rusticana | Giuseppe Di Stefano | A Major | 0 | 11B | 92 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
Mi fa male | Anna Netrebko | A Major | 4 | 11B | 82 BPM | ||
Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 69 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
Cavalleria rusticana: "Ah! lo vedi, che hai tu detto?" | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM |