"Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!"" by Wolfgang Amadeus Mozart, Kiri Te Kanawa, Olaf Bär, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1990. With Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!" being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Kiri Te Kanawa, Cheryl Studer, Francisco Araiza, Olaf Bär, Samuel Ramey, Academy of St. Martin in the Fields, Sir Neville Marriner's "Mozart: Die Zauberflöte" album is number 17 out of 49. On top of that, Netherlands appears to be the country where this track was created. The popularity of Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K.620 / Act 1: "Es lebe Sarastro! Sarastro lebe!" by Wolfgang Amadeus Mozart, Kiri Te Kanawa, Olaf Bär, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner to be Vivace (lively and fast) because the track has a tempo of 164 テンポ, a half-time of 82テンポ, and a double-time of 328 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Flute Concerto No. 2 in D Major, K. 314: II. Andante ma non troppo | Wolfgang Amadeus Mozart, Patrick Gallois, Roderick Shaw, Swedish Chamber Orchestra, Katarina Andreasson | G Major | 0 | 9B | 67 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VII. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 169 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VI. Notturno | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | E Major | 0 | 12B | 89 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM |