On August 17, 1992, the song "Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro" was released by Tomaso Albinoni, I Musici. With Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 30 out of 44 in Albinoni: 12 Concerti Op. 7; 2 Sonatas Op. 2 by Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici. In terms of popularity, Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro by Tomaso Albinoni, I Musici is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
Violin Concerto in C, Hob.VIIa No.1: 2. Adagio | Joseph Haydn, Salvatore Accardo, English Chamber Orchestra | G Major | 2 | 9B | 142 BPM | ||
Albinoni: Oboe Concerto in B-Flat Major, Op. 9 No. 11: III. Allegro | Tomaso Albinoni, Claudio Scimone, Pierre Pierlot, I Solisti Veneti | D Major | 3 | 10B | 104 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM |