"Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen" by Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs was released on October 7, 2013. Since Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, René Jacobs, RIAS Kammerchor, Akademie für Alte Musik Berlin's "J.S. Bach: St Matthew Passion, BWV 244 (Matthäus-Passion)" album is number 1 out of 70. Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen by Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: II. Plainte | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | D♭ Major | 0 | 3B | 175 BPM | ||
Stabat Mater RV 621: I. Largo | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | F Minor | 1 | 4A | 105 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 36a. Evangelista, Pontifex, Jesus "Und der Hohepriester antwortete" - 36b. Chorus I & II "Er ist des Todes schuldig" - 36c. Evangelista "Da speieten sie aus in sein Angesicht" - 36d. Chorus I & II "Weissage uns, Christe" | Johann Sebastian Bach, Collegium Vocale Gent, Frits Vanhulle, Franz-Joseph Selig, Ian Bostridge, Philippe Herreweghe | B Major | 2 | 1B | 93 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Admeto, Rè di Tessaglia: Ouverture | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Minor | 2 | 12A | 108 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Fantasia in C minor, K.475: Adagio | Wolfgang Amadeus Mozart, András Schiff | D Major | 0 | 10B | 130 BPM | ||
I. Herr Jesu Christ, Du Höchstes Gut BWV 113, Coro: Herr Jesu Christ, Du Höchstes Gut | Pieter Jan Leusink, Ofer Frenkel, Peter Frankenberg, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Kate Clark | G Major | 2 | 9B | 124 BPM | ||
St. Matthew Passion, BWV 244: Pt. II: Chorale. Befiehl du deine Wege (Chorus) | Johann Sebastian Bach, Magda Kalmár, Julia Hamari, Zeger Vandersteene, Dénes Gulyás, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Franz Liszt Chamber Orchestra, Frigyes Sándor | C Minor | 1 | 5A | 69 BPM |