Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi's 'Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero' came out on September 28, 2001. The duration of Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 18 out of 33. Based on our statistics, Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero by Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: II. Adagio | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E♭ Major | 1 | 5B | 86 BPM | ||
Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Vieni! Segui i miei passi | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Veronica Cangemi, Freiburger Barockorchester, Bernarda Fink | A Major | 0 | 11B | 97 BPM | ||
Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance | Henry Purcell, Marie McLaughlin, Jessye Norman, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Major | 1 | 8B | 128 BPM | ||
Rinaldo / Act 1: Aria: Sovra balze | George Frideric Handel, Bernarda Fink, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 107 BPM | ||
Der Herbst: "Juchhe, der Wein ist da | Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 2 | 7B | 118 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie: Kyrie eleison (I) | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 2 | 10B | 54 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Requiem, Kyrie: II. Christe eleison | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani | E♭ Major | 0 | 5B | 98 BPM | ||
Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM |