"Mass in D Major, Op. 123 "Missa Solemnis": Kyrie: Kyrie eleison (I)" by Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein had its release date on January 1, 1996. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 21 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mass in D Major, Op. 123 "Missa Solemnis": Kyrie: Kyrie eleison (I) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in D Major, Op. 123 "Missa Solemnis": Kyrie: Kyrie eleison (I) by Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein is Lento (slowly), since this song has a tempo of 54 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 110 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: IV. Chor mit Sopransolo: "Mit Staunen sieht das Wunderwerk" | Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Major | 3 | 8B | 98 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Dona nobis pacem | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 2 | 10B | 130 BPM | ||
Parsifal / Act 1: "Mein Sohn Amfortas, bist du am Amt?" | Richard Wagner, Victor von Halem, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | G Major | 2 | 9B | 85 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 2 | 11A | 150 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Agnus Dei: Agnus Dei Allegro assai | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Major | 2 | 8B | 97 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: II. Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 78 BPM | ||
アイネ・クライネ・ナハトムジーク 第3楽章 | Herbert von Karajan, ベルリン フィルハーモニー管弦楽団 | D Major | 1 | 10B | 118 BPM |