Henry Purcell, Marie McLaughlin, Jessye Norman, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard's 'Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance' came out on January 1, 1986. With this song being about 5 minutes long, at 5:17, "Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance" by Henry Purcell, Marie McLaughlin, Jessye Norman, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #5. Based on our statistics, Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance by Henry Purcell, Marie McLaughlin, Jessye Norman, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626: Act I: Belinda, 2nd Woman and Chorus: Fear no danger to ensue | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Major | 1 | 1B | 138 BPM | ||
Les Indes galantes, Deuxième Entrée, Scène 5: "Clair flambeau..." (Huascar, Choeur) | Jean-Philippe Rameau, Bernard Deletré, Les Arts Florissants, William Christie | A♭ Major | 1 | 4B | 68 BPM | ||
O nata lux (Cantiones sacrae 1575) - (Treble motet) | Thomas Tallis, The Sixteen, Harry Christophers | B♭ Minor | 1 | 3A | 78 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
The Lord is My Shepherd | Will Todd, Tenebrae, English Chamber Orchestra, Nigel Short | E♭ Major | 2 | 5B | 80 BPM | ||
L'elisir d'amore / Act 1: "Udite, udite, o rustici" - "Così chiaro" | Gaetano Donizetti, Spiro Malas, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | A Major | 3 | 11B | 127 BPM | ||
Fago: Tam non splendet sol creatus: IV. "Alleluia" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 4 | 12B | 124 BPM | ||
Vier letzte Lieder, TrV 296: 1. Frühling | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | A Major | 3 | 11B | 83 BPM | ||
I Was Glad, Z.19 | Henry Purcell, Paul Esswood, Ian Partridge, Stafford Dean, Choir of St. John's College, Cambridge, Strings, John Scott, George Guest | G Major | 1 | 9B | 87 BPM | ||
Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus] | William Christie | C Minor | 1 | 5A | 182 BPM |