On 1995, the song "Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus]" was released by William Christie. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #9. The popularity of Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus] is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus] by William Christie having a テンポ of 182 with a half-time of 91 テンポ and a double-time of 364 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Serse, HWV 40: Overture - Gigue | George Frideric Handel, William Christie | A Major | 2 | 11B | 134 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
The Dettingen Te Deum: VII. Thou Art the King of Glory | George Frideric Handel, Michael Pearce, The English Concert, Simon Preston, Michael Laird, The Choir Of Westminster Abbey, Trevor Pinnock | D♭ Major | 2 | 3B | 101 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IX. Domine salvum | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 3 | 12A | 93 BPM | ||
Isis Opera In 5 Acts With Prologue / Prologue: C'est lui dont les dieux ont fait choix | Jean-Baptiste Lully, Ex Tempore, Musica Antiqua Köln, Reinhard Goebel | B Major | 3 | 1B | 93 BPM | ||
Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) | Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie | A♭ Major | 2 | 4B | 143 BPM | ||
Purcell : King Arthur : Act 1 "The white horse neigh'd aloud" [Bass, Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 97 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Thanks to these lonesome vales" (Belinda, Chorus) - Dance | Henry Purcell, Emmanuelle Haïm | A♭ Minor | 1 | 1A | 89 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, Vorspiel. Die Vorstellung des Chaos | Joseph Haydn, Les Arts Florissants, William Christie | C Minor | 0 | 5A | 131 BPM |