George Frideric Handel, Michael Pearce, The English Concert, Simon Preston, Michael Laird, The Choir Of Westminster Abbey, Trevor Pinnock's 'The Dettingen Te Deum: VII. Thou Art the King of Glory' had a release date set for January 1, 1984. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. The Dettingen Te Deum: VII. Thou Art the King of Glory's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock's "Handel: Dettingen Te Deum; Dettingen Anthem" album is number 7 out of 23. On top of that, Germany appears to be the country where this track was created. In terms of popularity, The Dettingen Te Deum: VII. Thou Art the King of Glory is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Dettingen Te Deum: VII. Thou Art the King of Glory by George Frideric Handel, Michael Pearce, The English Concert, Simon Preston, Michael Laird, The Choir Of Westminster Abbey, Trevor Pinnock to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, Op. 2, No. 12 (Ciacona): Ciacona (Largo - Allegro) | Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 3 | 11B | 68 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
Come, Ye Sons of Art Away, Z. 323: 3. Sound The Trumpet, Sound | Henry Purcell, Michael Chance, Timothy Wilson, Trevor Pinnock, The English Concert | D♭ Major | 2 | 3B | 85 BPM | ||
Missa in D-Dur, KV194: Sanctus | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Andreas Pixner, Martina Steffl, Cornelia Horak, Klemens Sander | D Major | 2 | 10B | 114 BPM | ||
Sir Anthony Love, or The Rambling Lady, Z. 588: II. Pursuing Beauty, Men Descry | Henry Purcell, Johane Ansell, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 137 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Mass for 5 Voices: I. Kyrie | William Byrd, Collegium Vocale Gent, Philippe Herreweghe | C Minor | 2 | 5A | 111 BPM | ||
Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos] | William Christie | F Minor | 1 | 4A | 70 BPM | ||
Ode for the Birthday of Queen Anne (Eternal source of light divine): 5. Let rolling streams their gladness show | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Stephen Cleobury, Susan Gritton, Robin Blaze, Daniel Hyde, Alastair Ross, Pavlo Beznosiuk, Michael George | F♯ Major | 2 | 2B | 99 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM |