Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie made "Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro)" available on January 1, 1987. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Adolf Hasse, Emma Kirkby, William Christie's "Hasse, J.A.: Cleofide [Opera] (Kirby)" album is number 18 out of 69. Based on our statistics, Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cleofide: Act II Scene 4: Aria: Generoso rifuegliati, o core (Poro) by Johann Adolf Hasse, Emma Kirkby, Agnes Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie to be Allegro (fast, quick, and bright) because the track has a tempo of 143 テンポ, a half-time of 72テンポ, and a double-time of 286 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, Acte I, Scène 7: "Mais déjà de ce mont sacré" (Atys) | Jean-Baptiste Lully, Guy De Mey, Agnes Mellon, Jacques Bona, Françoise Semellaz | B Major | 2 | 1B | 81 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Orfeo ed Euridice (Orphée et Euridice) - Sung in Italian/Vienna version (1762) - Act 3: "Vieni, segui i miei passi" | Christoph Willibald Gluck, Sylvia McNair, Derek Lee Ragin, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 83 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) | Tafelmusik Baroque Orchestra | E Minor | 1 | 9A | 89 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Stabat Mater: Stabat Mater dolorosa | Agostino Steffani, Elin Manahan Thomas, Harry Christophers, The Sixteen | F♯ Minor | 0 | 11A | 82 BPM | ||
Castor & Pollux, RCT 32, Acte I, Scène 3: Tristes apprêts, pâles flambeaux (Télaïre) | Jean-Philippe Rameau, Agnes Mellon, William Christie, Les Arts Florissants | D Major | 0 | 10B | 65 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM |