Christoph Willibald Gluck, Sylvia McNair, Derek Lee Ragin, English Baroque Soloists, John Eliot Gardiner made "Orfeo ed Euridice (Orphée et Euridice) - Sung in Italian/Vienna version (1762) - Act 3: "Vieni, segui i miei passi"" available on January 1, 1993. Orfeo ed Euridice (Orphée et Euridice) - Sung in Italian/Vienna version (1762) - Act 3: "Vieni, segui i miei passi" is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Christoph Willibald Gluck, Sylvia McNair, Cyndia Sieden, Derek Lee Ragin, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Gluck: Orfeo ed Euridice" album is number 1 out of 26. On top of that, Netherlands appears to be the country where this track was created. Orfeo ed Euridice (Orphée et Euridice) - Sung in Italian/Vienna version (1762) - Act 3: "Vieni, segui i miei passi" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Orfeo ed Euridice (Orphée et Euridice) - Sung in Italian/Vienna version (1762) - Act 3: "Vieni, segui i miei passi" テンポ

We consider the tempo marking of Orfeo ed Euridice (Orphée et Euridice) - Sung in Italian/Vienna version (1762) - Act 3: "Vieni, segui i miei passi" by Christoph Willibald Gluck, Sylvia McNair, Derek Lee Ragin, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Orfeo ed Euridice (Orphée et Euridice) - Sung in Italian/Vienna version (1762) - Act 3: "Vieni, segui i miei passi" キー

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.