Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato made "Lo frate 'nnamorato: II. Andante" available on July 4, 2008. The duration of Lo frate 'nnamorato: II. Andante is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Lo frate 'nnamorato: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Sinfonie Napolitane". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. The popularity of Lo frate 'nnamorato: II. Andante is currently average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Lo frate 'nnamorato: II. Andante by Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato having a テンポ of 165 with a half-time of 82 テンポ and a double-time of 330 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Il Flaminio · Introduzione: III. 03 Allegro | Giovanni Battista Pergolesi, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs, Robert Mealy | F♯ Major | 3 | 2B | 101 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Stabat Mater: Quando corpus morietur | Giovanni Battista Pergolesi, Anna Netrebko, Marianna Pizzolato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 84 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: IV. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 0 | 6B | 0 BPM | ||
La Serva Padrona · Intermezzo Secondo: XVII. 17 Duetto: Contento tu sarai | Giovanni Battista Pergolesi, Christian Immler, Boston Early Music Festival Chamber Ensemble, Amanda Forsythe, Paul O'Dette, Stephen Stubbs, Robert Mealy | D♭ Major | 1 | 3B | 183 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM |