"Vier letzte Lieder, TrV 296: 1. Frühling" by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur was released on January 1, 1983. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Strauss, R.: Four Last Songs, etc.". In this album, this song's track order is #1. Vier letzte Lieder, TrV 296: 1. Frühling is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vier letzte Lieder, TrV 296: 1. Frühling by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. "Herzliebster Jesu, was hast du verbrochen" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | B Minor | 2 | 10A | 117 BPM | ||
St Matthew Passion, BWV 244: Part I, No. 1: Chorus "Come, ye Daughters" | Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic | E Minor | 3 | 9A | 64 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 2: "Possente spirto" (Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Bérengère Sardin, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 68 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Bach, JS : Cantata No.208 Was mir behagt BWV208, 'Hunt' : IX Aria - "Schafe können sicher weiden" [Pales] | Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien | A Major | 0 | 11B | 101 BPM | ||
Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | ||
Sechs Gesänge, Op. 7: V. Die Trauernde (Volkslied) | Johannes Brahms, Jessye Norman, Daniel Barenboim | A♭ Major | 0 | 4B | 102 BPM | ||
Elektra: Xi. Was bluten muss? | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | A♭ Major | 2 | 4B | 106 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM |