"Sechs Gesänge, Op. 7: V. Die Trauernde (Volkslied)" by Johannes Brahms, Jessye Norman, Daniel Barenboim was released on January 1, 1983. With Sechs Gesänge, Op. 7: V. Die Trauernde (Volkslied) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 52 in Brahms: Lieder by Johannes Brahms, Jessye Norman, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Sechs Gesänge, Op. 7: V. Die Trauernde (Volkslied) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sechs Gesänge, Op. 7: V. Die Trauernde (Volkslied) by Johannes Brahms, Jessye Norman, Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere | Gregorio Allegri, The Choir Of Westminster Abbey, Simon Preston | G Minor | 0 | 6A | 125 BPM | ||
Madrigals, Book 8 (Madrigali, libro ottavo), "Madrigali guerrieri, et amorosi": Lamento della ninfa, SV 163 (arr. for jazz ensemble) | Roberta Mameli, La Venexiana | A Minor | 1 | 8A | 66 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
6 Gesange, Op. 3: No. 2. Liebe und Fruhling I | Johannes Brahms, Juliane Banse, Andreas Schmidt, Helmut Deutsch | D Major | 0 | 10B | 97 BPM | ||
Kinderszenen, Op. 15: 12. Kind im Einschlummern | Robert Schumann, Daniel Barenboim | E Minor | 0 | 9A | 133 BPM | ||
Chinar es / Tall as the Poplar Tree | Gomidas Vartabed, Isabel Bayrakdarian | B♭ Major | 1 | 6B | 66 BPM | ||
Cessate, omai Cassai: Ah, Ch'infelice Sempre | Irish Film Orchestra, Mark Suozzo, Chloe Morgan | G Minor | 2 | 6A | 101 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Herbert Blomstedt, Gewandhausorchester Leipzig | C Minor | 0 | 5A | 67 BPM | ||
Requiem In D Minor, K. 626: Introit: Requiem Aeternam | Slovak Philharmonic, Magdaléna Hajóssyová, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Jozef Kundlák, Peter Mikulas, Jaroslava Horska, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 74 BPM | ||
My Heart's in the Highlands | Arvo Pärt, Andreas Scholl, Morphing Chamber Orchestra, Marek Ruszczynski | A Minor | 1 | 8A | 86 BPM |