Irish Film Orchestra, Mark Suozzo, Chloe Morgan's 'Cessate, omai Cassai: Ah, Ch'infelice Sempre' came out on May 6, 2016. With Cessate, omai Cassai: Ah, Ch'infelice Sempre being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mark Suozzo's "Love & Friendship (Original Motion Picture Soundtrack)" album is number 6 out of 27. In terms of popularity, Cessate, omai Cassai: Ah, Ch'infelice Sempre is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cessate, omai Cassai: Ah, Ch'infelice Sempre by Irish Film Orchestra, Mark Suozzo, Chloe Morgan to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | D Minor | 1 | 7A | 147 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, José Serebrier, Bournemouth Symphony Orchestra | D♭ Major | 0 | 3B | 95 BPM | ||
Silk & Satin | Mark Suozzo | C Major | 4 | 8B | 77 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth" | Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 131 BPM | ||
Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | ||
Handel: Il Trionfo del Tempo e del Disinganno, HWV 46a: "Tu del ciel ministro eletto" (Bellezza) | George Frideric Handel, Sabine Devieilhe, Raphael Pichon | E♭ Major | 1 | 5B | 84 BPM | ||
My Edward & I (from "Jayne Eyre") | Dario Marianelli, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits, Alexei Grynyuk | F Major | 1 | 7B | 91 BPM | ||
Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Var. XVI - XXIII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 134 BPM | ||
Egmont, Op. 84 | Slovak Philharmonic, Ludwig van Beethoven, Johann Wolfgang von Goethe | F Minor | 1 | 4A | 80 BPM |