"Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra)" by George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia was released on January 1, 2006. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "New Seasons - Händel für Oboe und Orchester". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) by George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson de nuit, Op. 15, No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Major | 3 | 2B | 133 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C Major BWV846 | Daniel Barenboim | A Minor | 1 | 8A | 107 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132 (version for orchestra): Theme: Andante grazioso | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 114 BPM | ||
Canon And Gigue In D Major, P 37: 1. Canon | Johann Pachelbel, Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | D Major | 1 | 10B | 64 BPM | ||
The Wave of the Surging Thoughts: I. Ballade. Wandering and Choosing | Daqun Jia, Sinfonia Varsovia, Michał Klauza | E♭ Minor | 1 | 2A | 86 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Serenade for String Orchestra in C Major, Op. 48: II. Valse. Moderato - Tempo di Valse | Pyotr Ilyich Tchaikovsky, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Major | 2 | 10B | 184 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Miloš Karadaglić, London Philharmonic Orchestra, Yannick Nézet-Séguin | B Minor | 1 | 10A | 70 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | E♭ Major | 1 | 5B | 49 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, BBC Concert Orchestra, Barry Wordsworth | D Major | 1 | 10B | 96 BPM |