"I Was Glad, Z.19" by Henry Purcell, Paul Esswood, Ian Partridge, Stafford Dean, Choir of St. John's College, Cambridge, Strings, John Scott, George Guest had its release date on February 21, 1976. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Purcell: Verse Anthems". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. I Was Glad, Z.19 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Was Glad, Z.19 by Henry Purcell, Paul Esswood, Ian Partridge, Stafford Dean, Choir of St. John's College, Cambridge, Strings, John Scott, George Guest having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 11, Op. 9: I. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 4 | 11B | 107 BPM | ||
Domine ad adiuvandum me festina, RV 593: I. Domine ad adiuvandum me festina | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | G Major | 3 | 9B | 123 BPM | ||
Lori | Strings | A♭ Major | 7 | 4B | 100 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: IV. Allegro | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Quido Holbling, Ludovit Kanta, Capella Istropolitana | F Major | 3 | 7B | 112 BPM | ||
Miserere in C minor: Sicut erat | Thomas Hengelbrock | E Major | 1 | 12B | 102 BPM | ||
I Lombardi / Act 1: Aria: "Sciagurata! hai tu creduto" | Giuseppe Verdi, Stafford Dean, Ambrosian Singers, Royal Philharmonic Orchestra, Lamberto Gardelli | B♭ Minor | 8 | 3A | 180 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Stabat Mater: III. Quis est home | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Kyrie, RV 587: Kyrie eleison | Antonio Vivaldi, Eve Rachel McLeod, Jennifer Ens Modolo, Aradia Ensemble, Kevin Mallon | B Minor | 2 | 10A | 112 BPM |